Jazz Piano – the History

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Jazz Piano is an integral part of jazz idiom since it has been incepted in both ensemble and solo settings. Due to its harmonic and melodic nature, the instrument is quite important for understanding the jazz arranging and theory. Along with a jazz guitar, a jazz piano is also one of those instruments of jazz combo which may be played with chords as with a trumpet or saxophone.

If you are into practice jazz piano you must know about jazz practice tool where chords are the primary substance in the instrument, and the second skill you will have to learn is how to play jazz piano with swing rhythm. Then is the skill of improvisation which requires you to make something on the spot. This is a skill that requires tremendous skills and extreme knowledge of the piano.

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Earlier, the jazz piano used to be heavily stride technique and it was often played solo. Historically influential promoters of early piano include Earl Hines, Jelly Roll Morton, Teddy Wilson and Art Tatum. The playing style of Mary Lou Williams, Wilie Smith and James P. Johnson shaped the history of jazz piano. The 1950s and the 1960s were the golden age of the jazz which created many important and influential jazz piano players. These powerful players included Red Garland, Ahmad Jamal, Don Pullen, Bud Powell, Cecil Taylor and Horace Silver. The jazz pianists require an exclusive skills set and the piano’s extended range as a playing instrument offers the solo players an exhaustive variety of choices. One can use bass register for playing a pattern of ostinato such as that of a melodious counterline or boogie woogie emulating the playing of upright bass. Stride piano is a style of playing in which the left hand of the player changes positions rapidly while he plays notes in bass register and the chords in tenor register. This can also be done in a more syncopated variant.

Bill Evans sat at the front line of new generation players who emerged in 1960s including Chick Corea, John Taylor, Dave Brubeck and Keith Jarrett. Today, the popular figures in the field of jazz piano include Bill Charlap, Brad Mehldau, Jacky Terrasson, Danilo Perez and Geoffrey Keezer.

Akhila Choudhary

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{ 2 comments… read them below or add one }

Shane January 23, 2011 at 11:03 pm

Jazz Piano Music History Question?
Heya, for my BTEC Music Coursework, I have to research the history of music. I have started from the classical periods i.e Medieval, Renaissance, Braque, Rococo (Transition Period), Classical, Romantics, Impressionists and a little bit on the 20th Century. Nonetheless, I have not gone on to what happened after the 20th Century and how music has developed since the Impressionist Period. I know that Jazz and Blues came out around this time in 1880′s ish, but how was this different to the other eras in terms of the way of playing piano. I know the style is completely different and more Chromatics advanced chords started to be used but that’s all I really know and I don’t know what part of history it all came from and what composers did to make Jazz. Was the circle of the 5ths around before jazz? I have no idea lol

Please help since I cannot seem to find out any useful infortmation about how music changed, only how jazz changed if you get what I mean, all help will be very much appreciated.

Soulmate January 24, 2011 at 4:05 am

Blues grew out of slave hollers in the cotton fields of the south. Jazz grew out of blues.

That is a very broad statement but it’s the basic underpinning: they are both improvised forms of music.

Part of the jazz player’s approach to improvisation is to borrow sounds from other styles of music. Jazz players borrow the harmonic vocabulary of the romantic and impressionist composers, and they use it in their improvisations. A lot of jazz pieces start as a basic blues in which the player substitutes more interesting sounding chords.

Jazz players also take the idea of borrowing another melodic or compositional style and using it as the basis of composition or improvisation. Musicians like Dizzy Gillespie, Horace Silver, Antonio Carlos Jobim, and others would borrow melodic ideas and rhythms from Latin American, African, and Caribbean music as the basis of Latin jazz, afro-cuban jazz, bossa nova, and other styles. For example, most of a song like Night In Tunisia by Dizzy Gillespie takes an afro-caribbean stylistic feel and harmonizes it with chords borrowed from the romantic and impressionistic composers. For a contrast, Diz throws in a bridge that is in swing style. You can analyze many classic jazz tunes in similar fashion: a modern reharmonization of a melodic idea or style borrowed from another culture. As jazz progressed, more and more combinations developed, literally no combination of styles and sounds was off limits, and the ideas on which improvisation and composition were based became more abstract. The 20th century saw an explosive growth of different styles and ideas on which jazz composition, improvisation, instrumentation, and performance were based.
References :
professional musician; have studied, played, and listened to jazz for decades. Try looking in the library for a jazz history book. There are quite a few good ones. They’ll get into more detail. You might also look for the Ken Burns DVD series entitled "Jazz", which should also be at the library. Good luck.

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